marta chilindron | |
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Adriana Herrera, La Casa de Eugenio Espinosa, El Nuevo Herald, Miami, Dec. 21 2003 ## | |
Jose Roca, Psychogeometries, Arco 04 ## | |
Richard Vine, Report from Rio de la Plata, Art in America October 2001 ## | |
Recent Writings on Latin American Art, New York Arts, Vol. 6 no. 10 ## |
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Robert C. Morgan, Marta Chilindron, Cinema Kinesis, Review, June 15 1999 | |
Max Henry, Cinema Kinesis, Flash Art n.207, Summer 1999 | |
Richard Vine, Contemporanea 1999, El Museo del Barrio Exhibition publication ## | |
Robert Morgan, Four Artists-Constructivists Roots, Review, June 15 1998 |
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Jonathan Goodman, Marta Chilindron at Cecilia de Torres, Art in America, September 1997 | |
Monica Amor, Marta Chilindron, Art Nexus n.25, July-September 1997 | |
Ana Tiscornia, Perverting Male Discourse, Lola Press, May-October 1997 | |
Kare S. Chambers, Marta Chilindron, Dimensions, Review, April 15 1997 |
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Max Henry, Marta Chilindron: Dimensions, Zingmagazine 1997 | |
Ana Tiscornia, Perverting the Specific Object, Atlantica, no.15 winter 1996 - english trad. |
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Gilberto de Abreu, Obra de are tambem e gente, O Globo, Rio de Janeiro 1994 ## | |
Monica Riani, Chamando o publico as falas, Tribuna de Impresa, Rio de Janeiro, 12 april 1994 |
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Monica Amor, Contemporary Art of Argentina, Brazil & Colombia, Art Nexus,1993 ## | |
Marta Chilindron & Eduardo Costa, Mouthpiece, Point of Contact, Univ. of Syracuse ## |
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Michael Berenson, Works for Urban College Raise Hard Questions, NYTimes, April 8, 1988 ## | |
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